Free Ebook Designing Disney: Imagineering and the Art of the Show (A Walt Disney Imagineering Book), by John Hench
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Designing Disney: Imagineering and the Art of the Show (A Walt Disney Imagineering Book), by John Hench
Free Ebook Designing Disney: Imagineering and the Art of the Show (A Walt Disney Imagineering Book), by John Hench
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About the Author
The late John Hench, a true Disney legend, came into his office at Imagineering each day, well into his ninety-fifth year. Although he passed away in 2004, his legacy continues to play an integral role in the design of Disney theme parks and attractions-just as he himself did more than fifty years ago when Walt enlisted him as one of his closest colleagues and confidants.
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Product details
Age Range: 1 and up
Grade Level: 4 - 6
Series: A Walt Disney Imagineering Book
Paperback: 160 pages
Publisher: Disney Editions; 1st edition (January 6, 2009)
Language: English
ISBN-10: 1423119150
ISBN-13: 978-1423119159
Product Dimensions:
9 x 0.5 x 10.5 inches
Shipping Weight: 1.4 pounds
Average Customer Review:
4.8 out of 5 stars
43 customer reviews
Amazon Best Sellers Rank:
#208,017 in Books (See Top 100 in Books)
Easily my favorite book, shooting past Harry Potter & Six of Crows.The way John Hench introduces the challenges of designing each element of Disneyland is remarkably informative and humble at the same time. He never comes across as a condescending know-it-all, and yet his expertise shines through walking through each element of the theme park, hitting on each of the highlights.I find his teachings in character (consistency), color (emotion evocation), storytelling, and place (milieu) applicable not only to theme park creation, but also to my work in app development, user interfaces, character design, technical problem solving, and creative storytelling. He teaches down to the details while staying general enough to transcend boundaries of profession and discipline. He draws from familiar examples -- Mickey's characteristics, Disneyland rides like Space Mountain -- but shines a new light on them, showcasing their stories in the mold of challenges: turning the 2D of animation into the 3D of walkaround park counterparts, and devising the proper settings in which to show each character. At first, I thought the text was too dumbed down and basic to be enlightening, but as John Hench stringed together basic examples to concoct more complicated solutions -- like his way of fitting buildings into Main Street, spewing water from a fountain, or breathing new life into a derelict theme restaurant -- I quickly realized that this was not a dumbing down: it was well-written simplicity, breaking a grueling task down into its understandable, applicable constituent parts and lessons.It was a joy to read, and something I'll carry with me and recommend to colleagues for the rest of my life.
Firstly, how fortunate for all those who understand the amazing implications of Walt Disney's transition from filmmaker to Town Planner that John Hench decided to write this much-needed and much-requested book just before his death.What's so strange about other reviews and Frank Gehry's preface is nowhere is it observed without John Hench "Tomorrowland" might have been an embarrassing overreach - causing much mirth from Hollywood rivals expecting Walt to fall flat on his face.It's clear from his sketches in this book and other Disneyland publications the only WED man with "a handle" on modernity was John Hench. Without him "Space Mountain" would not have its iconic spaceship form. Without him Disney's contribution to the 1964 New York World's Fair would never have produced the spin-offs which they then used to updated a large section of "Tomorrowland".But nothing about the original "Tomorrowland" was behind the times. John Hench's designs are still valid interpretation of future forms of travel and curvy architecture. Added to which they provided the spark for Walt's imagination to move onto the creation of EPCOT.Much as I appreciate Michael Eisner launching the "Disney Decade" (providing jobs for so many of us) it has to be said his architectural taste was lamentable. His preference for a "nothing style" called "Post-Modern" set a trend which had dire consequences for the entire Disney Company. If the boss has no belief in the Future then all of Walt's plans for creating Experimental Communities in Florida become null and void. The modern township of "Celebration" gets Cape Cod cottages etc. "Tomorrowland 2011" is cancelled and its rocket ships are replaced by a Jules Verne "Orbitron". The thin edge of the wedge leading to all of "Tomorrowland" being given a destructive irrelevant Jules Verne "makeover".It goes without saying I never met a cartoonist who didn't wonder what Walt would have thought of this French invasion. But these orders were coming from above. Thankfully the orderers have now all retired and with a cartoonist John Lasseter in place at Disney HQ America can now reclaim "Tomorrowland". First move - obtain a NASA spaceship to allow young guests to go inside - as they do in Airforce One at the Reagan Library.This might appear to be a personal digression but as I spent several hours talking to John Hench I've a feeling he would not object to my revealing one confidence. The cruelest of all the cuts he lamented was the "People Mover". Because it was his and Walt's brainchild, based on a method of moving steel bars they saw in Detroit. The double irony being their driverless method of safely moving people from place to place is now used in airports around the globe. PS Ironically "Rocket Rods" bit the dust after only 2 years! Leaving nothing!Ditto Walt Disney's plans for EPCOT were exactly what America needed to keep up with the Future. All the new housing technologies the President is now forced to implement on a Governmental level would have been in place had Walt Disney's EPCOT ideals been pursued by those he trusted to keep the Disney Company ahead with the support of private sector investors. The method he used to make all his groundbreaking projects get done fast.Because John Hench was an incredibly discrete gentleman none of his misgivings as to how different WED would have been if Walt lived another 20 years found a place in this book. Nevertheless I think every fan inwardly knows it's almost criminal to turn one's back on Walt Disney's version of the "American Way". Which, in his case, was to be constantly forging forward with NEW IDEAS AND NEW DREAMS.
This is a fascinating look into the mind of the premier Disney designers. Hench explains how every single detail of the Disney parks is designed to fit into a great whole: color, form, space, and even time must reinforce a narrative theme in every single ride or experience, as if the viewer had entered a film sequence. All detail is foreseen - with storyboards! - discussed, and built with this kind of total consistency of experience in mind. I was astounded that the parts were so much more deeply planned than I had imagined.I read this as part of my research for a writing project on Disney. For this, it was extremely useful and informative. It strikes me that the imagineering method is of great relevance to all managers.While easy to read quickly, this book will give anyone who likes Disney a fascinating new perspective on one of the great American success stories. Warmly recommended. The writing is clear and to the point, while elegant.
To read this book is to be inside the mind of a genius. John Hench was a brilliant man who's insights to how the Disney look is created makes for a great read. This will appeal to Disney fans as well as artists who are looking to study they hows and whys of color, structure, and setting the right mood. It was fun to read this and then visit a Disney park to see how these ideas were applied.
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